Das, Jibanananda (1899-1954) a major Bangla poet
and educationist, was born on 17 February 1899
in barisal, son of Satyananda Das,
a schoolteacher and founder editor of the Brahmabadi. His
mother, Kusumkumari Das, wrote poetry.
Matriculating in 1915 from Barisal Brajamohan School,
Jibanananda completed his IA in 1917 from B M College, and BA with
Honours in English in 1919 and MA in 1921 from Presidency College.
He also studied law for some time.
Jibanananda started his career as a teacher in Calcutta
City College (1922-28). He then briefly taught at the newly founded
Bagerhat Prafulla Chandra College. He also taught at Ramjash
College in Delhi (1929-30). In 1935 he joined BM College in
Barisal and continued to teach there till shortly
before partitionin 1947 when he left for
Kolkata.
Jibanananda started writing poems at an early age.
While he was still a student, his poem, 'Barsa Abahan', (Invocation
to the Rains) was published in the Brahmabadi (Baishakh
1326/April 1919. Many of his poems were published in various
magazines. His volumes of poetry include Jhara Palak (Fallen
Feathers, 1927), Dhusar Pandulipi (Gray Manuscript, 1936),
Banalata Sen (1942), Mahaprthibi (Great Universe,
1944), Satti Tarar Timir (1948), Rupasi Bangla
(Beautiful Bengal, written in 1934, published in 1957), Bela
Abela Kalbela (1961).
Jibanananda belonged to the group of poets who tried to
shake off rabindranath
tagore's poetic influence. Inspired by western
modernism and the intellectual outlook of the Bengali middle class,
this group wrote about the realities of the urban present and of
the lonely self even while they drew upon the rural traditions of
Bengal. Although Jibanananda's early poems reveal some influences
of nazrul islam, satyendranath
duttaand mohitlal majumder, he shook off
these influences to become a towering figure in Bangla poetry.
Jibanananda shared Rabindranath's deep feeling for nature,
eloquently describing the beauty of rural Bengal in Rupasi
Bangla and earning the appellation of Rupasi Banglar
Kavi (Poet of Beautiful Bengal). Unlike Rabindranath, however,
he also portrayed distressed humanity as well as the depression,
frustration, and loneliness of modern urban life in his poems.
Introspection is also an important characteristic of his poetic
genius. His poems merge a concern for the present and a sense of
history. Many of his poems sound like prose, and greatly influenced
subsequent poets.
Jibanananda's poems of rural Bengal played an important
role in the political and cultural perspective of Bangladesh. His
poems inspired a pride in Bengali nationhood, especially in the
1960s and during the war of liberationin 1971. Though
principally a poet, Jibanananda also wrote essays,
short
stories, and novels. As a novelist and
short story writer, however, Jibananda's unique talent was realised
after his death with the discovery of many of his manuscripts.
These novels, which were published posthumously, include
Malyaban (Adorned with a Garland 1972), Sutirtha (The
Good Pilgrimage, 1977), Jalpaihati, Jibanpranali,
Basmatir Upakhyan etc. He wrote about two hundred stories. A
collection of his short stories is Jibanananda Dasher Galpa
(Stories of Jibanananda Das, 1972). He also wrote essays on poetry,
some of them included in Kavitar Katha (On poems, 1955). His
complete works have been published in 12 volumes, as Jibanananda
Samagra (The Complete Works of Jibanananda, 1985-96), from
Kolkata. Jibananda's stories and novels analyse the complexities of
conjugal life and of sexual relationships as well as the
contemporary social and political infrastructure.
Banalata Sen
received an award (1953) at the Nikhil Banga Rabindra Sahitya
Sammelan (All Bengal Rabindra Literature Convention).
Jibanananda Dasher Shrestha Kavita won the Sahitya Akademi
Award in 1954. Jibanananda died in a tram accident in Kolkata on 22
October 1954.